the lone poet taps
haiku on his phone — nearby,
Storke Tower chimes eight
just like the name says: / three lines of text / each and every day
the lone poet taps
haiku on his phone — nearby,
Storke Tower chimes eight
the pregnant full moon
casts silvery anti-shadows
on leaf-strewn pavement
with the first raindrop
the gathered throngs
scurry for cover
a full house:
everywhere toes to be stepped on
and shoulders to hug
Happy Turkey Day! I’m taking the day off to hang out with my family. More haiku to come tomorrow.
gazing up, a great
white orb and halo dominate
the indigo sky
early morning and
the world smells richly of
wet leaves and coffee
lying awake,
parched throat, coyotes chattering
outside the window
just above the
horizon, the moon floats like a
yellow banana
staring through the
camera lens — drowning in
kaleidoscope eyes
days grow shorter as
crisp, new piles of red and brown
clutter the walkway
the stars glisten like
a million white pinpricks in
an obsidian sky
in the blackest night,
wind gusts in the quiet
of the crossroads
standing in line at
the grocery store — overhead,
The Doors’ “People Are Strange”
final adjustments
made — enjoying the satisfying
glow of completion
concentric twisting
bold and nut. Tight — just
a quarter turn more
riffling through a
box of sockets: talismans
of precision
squinting at tiny
solder points, metallic fumes
sting my nostrils
little brown thrush sits
amongst the red paper flowers,
unbothered by thorns
the temperature
drops and the breeze picks up,
smelling of rain
the air is quiet,
just a few small cheeps in the trees –
under an iron sky
nodding off
at my desk –
empty house
cold west wind — above,
brown and black mottled sky and
a handful of stray stars
waiting for my
coffee, staring blankly at the
scarred wood tabletop
swirls of white and tan
foam suspended atop blessed
bean nirvana
stepping out of the
front door — welcoming crispness
and violet clouds
you lie in bed
novel in hand, sleepy
face next to mine
cold, deep fog
clings to the lampposts –
damp silence
glaring sun –
in the distance,
a fog horn lows
five in the morning,
seven at night — the rasp of
bristles on concrete